Essentially, that was the message I heard from my editor yesterday.
I’ve input all the changes I want to make in The Ambitious Madame Bonaparte based on the copy editing. I read it through. I sent my editor a long email discussing my evaluation of the book and the fact that it fulfills the goals I had for this particular project.
He wrote back expressing his opinion, which corroborated mine. The one thing that surprised me is that he suggested that I let it sit a couple of days and read it through one more time to make sure that nothing “clanks” in my ear. I was eager to send it on to the designer, but I think his counsel is wise.
I have such ambivalent feelings about letting the manuscript go. The last two years plus of living with these people has been very intense, and now I’m going to be done tinkering with their lives. I hope that Betsy, wherever she is, feels that I’ve told her story well. That was my goal when I started this project, to portray her tumultuous life in all its complexity, not to let her be a caricature or a symbol of any kind.
I don’t have children, so I’ve never had the experience of sending one of my babies out into the world . . . until now. As my editor said in an email the other day, the manuscript is about to go beyond the reach of my protection. If I’ve done my job right, I’ve imbued it with enough strength so that it can stand on its own.
This is the most famous portrait of the real Elizabeth Patterson Bonaparte, painted by Gilbert Stuart. Look at the bust on the left. Can’t you just see her saucy personality? That was one thing I’ve tried to capture in my book. It will be up to my future readers to determine if I succeeded.