I bought this audiobook because a) it was on sale, b) the setting looked interesting, c) I’m a lifelong knitter, and d) I wanted something light but not TOO light. Most of those expectations were fulfilled.
However, before buying, I looked it up on Amazon and saw that it was listed aa #2 of series, so even though I prefer to read mysteries series in order, I thought dipping in this early wouldn’t be too bad, and if I liked it, I could go back and catch up on the opening installment without too much confusion.
Except the label on Amazon is deceptive. This isn’t book 2 of 5. it’s book 12 of I don’t know how many—16 maybe? Apparently, the author switched publishers after 11 books, and the publisher decided to restart the numbering. Why would they do that? It’s very confusing to readers, and one of the most basic rules of marketing is not to confuse or annoy your customers.
Anyway, the whole time I was reading it, I was having difficulty remembering the characters who seemed to be the recurring cast. I’d get bits of their personalities here and there—but not enough to stick. It was like transferring to a new high school halfway through junior year and not only being unable to break into the in group but also finding it impossible to glean enough information to understand the relationships swirling around you.
The mystery was fine, although I easily spotted the essential piece of information that was tossed out casually about halfway through the book. But I just couldn’t engage enough with the knitting group to want to spend time with this town or these characters further, certainly not enough to go back and wade through 12 books to reach this point and move forward.
I feel like I’m being unnecessarily negative and I’m punishing the author for something the publisher did, but I don’t like being led to expect something that isn’t what I’m getting. Perhaps if Kindle or one of the audiobook vendors I use offers a really cheap version of the real book 1 in the series, I’ll give it another try, or maybe I’ll eventually see if my library carries the books. But not until I’ve had a chance to let the irritation settle and see whether I develop any curiosity about the characters.
The novel opens with a throat-grabbing scene narrated by the spirit of seven-year-old Tessa, who floats above a team of paramedics who are frantically trying to save her life as they transport her to an emergency room after an accident. Then the story jumps back in time several days.
Tessa and her sixteen-year-old sister Mackenzie, live on an island in the Pacific Northwest with their mother Uma, who is stressed out, overwhelmed, and raging since her husband left the family. Mackenzie—Mac—just wants to be a teenage girl, hanging out with her best friend Gemma, rolling her eyes at the things grownups do, and maybe, if she works up enough nerve, giving in to her friend’s urging to try marijuana. But because Uma is too overwhelmed to handle her current life, Mac also has to spend more time than she’d like looking after Tessa. The two sisters adore each other, but having a seven-year-old tag along can really cramp a teenager’s style.
Then the unthinkable happens. On a day when Mac and Gemma planned to do “big kid” things, they have to take Tessa with them. During a few minutes of inattention on the older girls’ part, the local drunk runs over Tessa and her bike with his massive tank of a car.
Tessa dies, and Uma blames her older daughter. So do the police, who decide—based on some dubious eyewitness testimony—to arrest Mac on drug charges. The only people who can vouch for Mac’s innocence choose self-protection rather than honesty, and Mac finds herself being sent to juvenile detention, where her already shattered life turns into a nightmare of terror and abuse.
Fortunately, Susan Wingate doesn’t leave us there but rather takes us through the worst of it and into the early stages of Mac’s road to redemption and healing. I recommend this to anyone who wants to be reminded of the possibility of hope after deep despair.
This novel is an enjoyable blend of Southern family saga meets magical realism. Anna Kate is a young woman on the verge of starting medical school, less because she wants to than because she promised her late mother Eden that she would take up the career her father never got to practice. A few months before med school is about to start, Anna Kate’s maternal grandmother Zee dies, leaving Anna Kate an estate with a catch.
Zee practiced folk medicine and ran the Blackbird Cafe in Wicklow, Alabama—a town that Eden left behind when her boyfriend was killed in an accident because his parents unjustly accused her of crashing the car on purpose in an attempted murder-suicide. Because of her mother’s painful feelings about the town, Anna Kate has never been there. Now Zee’s will has left the cafe to Anna Kate with the stipulation that she must run it for two months before she can inherit the property and sell it.
It doesn’t take Anna Kate long after arriving in Wicklow to learn that the Blackbird is no ordinary cafe. The pies sold there are said to have magical powers to bring those who are grieving messages from beyond the grave. Except that when Anna Kate bakes the pies, the messages don’t come. “The pies are broken.”
A whimsical yet poignant tale ensues that encompasses solving family mysteries, establishing bonds with estranged relatives, weighing the value of old promises, and possibly finding love. The novel is comforting and thought provoking at the same time. But be forewarned. It will give you a craving for pie, blackberry iced tea, and buttermilk fried chicken.
Fiona Davis specializes in writing historic fiction about well-known buildings in New York City, and I have loved several of her novels. This time she focuses on Grand Central Station. The Masterpiece is a dual-timeline story set in the late 1920s and the mid-1970s.
The 1920s timeline focuses on Clara Darden, a young artist from Arizona who came to New York to study at the Grand Central School of Art. (Did you know there was once an art school on one of the upper floors of Grand Central? I didn’t.) Now working there as an instructor, she has to fight against two kinds of bigotry—sexism and the ingrained belief that illustrators are less-talented and less-important than “serious painters.” She meets and becomes involved with two very different men: a wealthy young poet and a fiery experimental painter from Armenia. Little do any of them know that the high life of the 20s can’t last forever; the economy is heading for a crash that will turn the country upside down and make art a dispensable luxury in a grim new world of standing in soup lines and making do with frayed, years-old clothing.
The 1970s story focuses on Virginia Clay, a women who is recently divorced and struggling to support herself and her daughter. She fails to qualify for the secretarial job she interviews for and ends up working at the Grand Central information booth. By this time, the depot is dirty and neglected—no longer the beautifully decorated showplace it was in the 1920s—and it’s home to drug addicts and other unsavory types, causing passengers to spend as little time there as possible. The building is in danger of being torn down, with only the lower sections incorporated into amuch larger structure.
One day, Virginia happens upon the abandoned art school and discovers a long-forgotten painting that speaks to her deeply. It also reminds her of a painting she saw in a magazine: a piece of art by the painter using the pseudonym Clyde, which is about to go on auction for a fortune.
The art school is the obvious tie between the two storylines, but as Virginia works to both save Grand Central and uncover the truth about the painting she found, more links between the two stories emerge. I found this a very enjoyable read.
Readers’ Favorite Gives The Ambitious Madame Bonaparte the Gold Medal!
You have reached the author website of Ruth Hull Chatlien, author of The Ambitious Madame Bonaparte, based on the true story of Betsy Bonaparte, and Blood Moon: A Captive’s Tale, based on the tale of Sarah Wakefield, taken captive during an Indian war.
How to Purchase My Book
The Ambitious Madame Bonaparte and Blood Moon: A Captive’s Tale may be ordered at Amika Press or Amazon.
The Ambitious Madame Bonaparte Blood Moon: A Captive's Tale
Synopses and Excerpts here