The book I’m reviewing today is unusual: part history, part genealogy. The Hare with the Amber Eyes traces a collection of netsuke through several generations of a family.
But first things first. What are netsuke? A netsuke is a miniature Japanese sculpture that was used as a sliding bead on the string of a container such as a pouch or box. They were intricately carved from wood or ivory into a variety of forms: fruit, animals, tiny human figures.
Edmund de Waal, a British ceramic artist, inherited this collection of 264 netsuke from an uncle who was living in Japan. De Waal grew fascinated with the tiny, beautiful little objects and spent over a year tracking their history within his family. The collection was amassed by Charles Ephrussi, one of the sons of a wealthy Jewish banking family that originated in Odessa but had migrated to Paris and Vienna. Charles lived in Paris, where he was known as an art connoisseur during the period of early Impression and the second empire. He never married or had children, so his collection was passed on to a nephew who lived in Vienna.
For me, the Vienna section of the book was the most interesting: the story of a socially prominent and fabulously wealthy Jewish family during the days leading up to the German takeover of Austria in the late 1930s. It shed a new perspective on a well-known story. The book also documents what happened to the family during World War II and how the netsuke collection miraculously remained in the family’s possession even as the Nazis confiscated everything else of value they owned.
I recommend the book strongly to lovers of both political and social history. It was beautifully written and a fascinating read.
Ruth this sounds very interesting–however I have to be very careful when reading books about that period of history—-sometimes it gets to graphic and then I have nightmares—-I had to stop reading “Winter of the World “by Ken Follett- I read Fall of Giants but the second book was too upsetting–At my age I guess I have to keep my head in the sand——
This isn’t very graphic, Florence, but I understand if you prefer not to read it.