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Get It While It’s Free!

The Ambitious Madame Bonaparte

The Kindle version of The Ambitious Madame Bonaparte is free through June 24. You can get it here.

And not only will you receive my entire first novel, you’ll also receive a preview of the recently published Blood Moon: A Captive’s Tale.

Who could ask for more than that?

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Using a “Bridge” Character to Portray Cultural Conflict by Ruth Hull Chatlien

I’m so pleased to be a guest on Mary Tod’s wonderful blog A Writer of History.

All about historical fiction

With recent press on the dangers of cultural appropriation, Ruth Hull Chatlien provides readers and writers with an interesting and thoughtful perspective. Ruth’s latest novel, Blood Moon – A Captive’s Tale, released this week.

Using a “Bridge” Character to Portray Cultural Conflict by Ruth Hull Chatlien

The moment I heard about Sarah Wakefield’s experiences as a captive during the deadly Dakota War of 1862, I knew I had to tell her story.

The Dakota War of 1862 took place between the Dakota people and white settlers of southern Minnesota, but it’s not widely known because it’s overshadowed by the Civil War. Minnesota is the ancestral homeland of the Dakota (also called the Sioux), but by 1858 when Minnesota achieved statehood, the United States government had convinced them to relinquish nearly all their lands in the state. All that remained was a narrow strip of land running along the Minnesota River…

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Help Me Get the Word Out!

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The moment I heard about Sarah Wakefield’s experiences during the deadly Dakota War of 1862, I knew I had to tell her story. Because Sarah was unusually sympathetic to the Dakota people’s reasons for fighting, I wanted to use her as a bridge character to explore both sides of the conflict.

Now my fictionalized version of her ordeal is about to be published. Blood Moon: A Captive’s Tale is coming out on June 14, 2017. I’m very proud of this novel because I think it illuminates an important episode in our country’s history.

Now I’m asking you to help me spread the word. Thunderclap is a crowdspeaking platform. It’s like Kickstart and Go Fund Me, except instead of asking people to donate money, it’s asking them to donate the use of their social media accounts for a one-time announcement.

To participate, all you have to do is to follow this link to the page for my campaign and agree to let Thunderclap post my advertising message to your social media accounts.

I have participated in Thunderclap campaigns for several friends, and I can assure you that it’s not only very simple to do, but Thunderclap will not post anything to your page except this one campaign you agree to take part in.

In short, participating in this campaign is a simple, almost effortless way to help a friend. Will you please sign up today?

https://www.thunderclap.it/projects/57855-blood-moon-available-now

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Preview of BLOOD MOON: A CAPTIVE’S TALE

My upcoming novel Blood Moon: A Captive’s Tale will be published on June 14. Today, I want to share the cover and one of the early scenes.

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EXCERPT

July 1862

“Mama, mama, come look!”

The voice of my son breaks into the conversation I am having with my hired girl. Jimmy races into the kitchen and stops so abruptly that he nearly topples over. He gazes up at me, his blue eyes as wide as I have ever seen them. “Mama, a b-big war party is riding past.”

My heart lurches as I remember last month’s ominous sign, but mindful of my son, I place a hand on my chest to calm the palpitations. Although I am by nature a fearful woman, I must appear calm for the child’s sake. “Past the agency?” I ask. “They are not stopping here?”

“No. They are riding to the ford. Very fast.”

I expel my breath, yet my nerves remain as taut as freshly tuned piano wires. The Sioux have been restive this summer, so I dare not dismiss the possibility of danger. Jimmy grasps my hand and pulls me toward the parlor. I resist, saying, “Wait, let me think.”

My servant speaks up, “Mrs. Wakefield, I think I know what is happening.”

I glance back at the raven-haired girl, and for a moment, God help me, I wonder if I can believe her. Because Mary is Sioux. The name she was given at birth was Makawee, but the Reverend Mr. Williamson renamed her when she enrolled in his mission school. For a second, I stare at her. Although she is clad in a blouse and skirt like a settler, all I can see is the bronze skin and high cheekbones that mark her as a different race from me. Then I remember how tenderly this girl has helped nurse my children through their illnesses, and I tell myself I can trust her.

“Go on.”

“I heard that the Chippewa killed two of my people on the 22nd. This party must be going to take revenge.”

So they are not going after whites. My knees go so weak with relief that I brace my hand upon the table. During my years in Minnesota, I have learned a thing or two about the enmity between the Chippewa and the Sioux. In 1858, when John and I were living in Shakopee, the two tribes fought a battle so near the community that many townspeople went out to watch as though it were a wrestling match at a county fair. After the fight ended, John treated the wounded Sioux, and I assisted him as much as I was able, given my lack of medical training.

Now Jimmy leads me out the front door. We leave our fenced-in yard, cross the path that bisects the cluster of agency buildings, and climb the slight rise of land on which the warehouse stands. Once we reach that building, we halt and gaze at the government road that runs past the agency and curves toward the ford just west of the place where the Yellow Medicine River empties into the Minnesota.

The war party that gallops before us is large indeed. Even though I delayed coming outside for at least a minute, a steady stream of riders still passes our settlement. They travel so quickly that clouds of dust rise as high as the horses’ flanks. Judging from the direction they are headed, I conclude that Mary must be right. The party seems to be heading toward the Big Woods to fight the Chippewa.

BLOOD MOON: A CAPTIVE’S TALE is now available for preorder at the following links:

Paperback    Kindle    Nook    Kobo

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Cover Reveal!

Check out the cover reveal and preorder information for my upcoming novel at the blog Layered Pages.

 

 

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Dakota War Stories: Mary Schwandt and Snana

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My upcoming novel Blood Moon: A Captive’s Tale tells the story of Sarah Wakefield, a woman who was taken captive with her two young children during the Dakota War of 1862, which took place in southern Minnesota.

Today, I want to tell you about another remarkable captivity narrative from this war: the story of Mary Schwandt and Snana, the woman who protected her.

Mary was a fourteen-year-old German immigrant who was working as a servant for the Joseph Reynolds family at the beginning of the war. Being at her employers’ home most likely saved her life that day. Back at her family’s place, six of her relatives were killed, and only her younger brother August managed to escape.

As the Reynolds family and their servants (including Mary) tried to flee to the town of New Ulm for safety along with several others, a party of about fifty Indians accosted them. Most of the settlers were killed in the attack, but Mary and two other girls (one of whom was mortally wounded) were carried away.

While she was in captivity, Mary was taken in by a 23-year-old Dakota woman named Snana (also known as Maggie Good Thunder or Maggie Brass). Snana had recently lost her own young daughter, and when she saw Mary, her maternal feelings caused her to take pity on the girl and care for her. She protected Mary for the duration of the war, even going so far as to hide her in a hole in the tepee floor covered over with buffalo robes and blankets.

Mary was among the more than 200 prisoners set free at Camp Release on September 26, 1862, at the end of the war. Four years later, she married a man named William Schmidt and had several children with him. Yet, she never ceased to be grateful to her adopted Dakota mother Snana, as the photograph above shows. It was taken in 1899, long after the conflict that brought these two women together.

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Little Crow: Caught by Contradictions

My upcoming novel Blood Moon: A Captive’s Tale tells the story of Sarah Wakefield, a woman who was taken captive with her two young children during the Dakota War of 1862, which took place in southern Minnesota. Between now and publication in June, I will be sharing background about the war and a few excerpts from the novel.

Today, I will talk about Little Crow, the Dakota warrior who was the chief Indian leader during the fighting.

 

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During the early 1860s, the Dakota people of Minnesota lived on a reservation along the Minnesota River, having ceded the rest of their lands to the U.S. government. The reservation was divided into the Upper reservation, home to the Sisseton and Wahpeton bands of the Eastern Dakota, and the Lower reservation, home to the Mdewakanton and Wahpekute bands. Little Crow, more properly called Taoyateduta (His Scarlet nation), was a chief of the Mdewakanton. It was four young men from his band who committed the massacre at Acton, the event that began the Dakota War of 1862.

Early in my novel, before the war breaks out, my main character Sarah Wakefield muses on what she knows of Little Crow and the seeming inconsistencies in his character:

Late in the afternoon as we draw near the agency, we pass through several Mdewakanton Sioux villages—including those of Big Eagle and Little Crow. In each, tepees and bark lodges cluster around a common central area, and in Little Crow’s village, a still-unpainted, two-story frame house stands. The sharp scent of freshly cut lumber hangs in the air. Bob, the teamster who drives my wagon, says that the government recently built the dwelling for the chief.

I have seen Little Crow only once, but I remember him as a handsome man in his fifties with an intelligent expression in his hooded eyes. John has told me a great deal about him, having learned bits of the story from Galbraith. Taoyateduta or “His Red Nation,” as Little Crow was originally called, was a wastrel as a youth. He traveled out west where he hunted buffalo, traded furs and whiskey, became a proficient poker player, and married and divorced a couple of wives. The Sioux say he matured only after his father died, leaving the chieftainship to a younger half brother. Taoyateduta returned to his father’s village to challenge that decision, and two of his half brothers shot him through both forearms, mangling his wrists and crippling his hands. His bravery on that occasion won him the band’s loyalty, and he became chief, adding his father’s name of Little Crow to his own.

As a leader, Little Crow is said to be educated, charismatic, pragmatic, and full of contradictions. He urges his people to farm but will not plow his own land. He dresses in white men’s clothing but still wears a Sioux medicine bag. He attends Dr. Hinman’s Episcopal mission but refuses to convert. Little Crow’s paradoxes fascinate me, as I too struggle to find middle ground, striving to balance the strangling propriety of my New England upbringing with the freedom—and dangers—of my current life.

Once the Acton massacre occurred, Little Crow was overtaken by events. He knew that war might be possibly destroy his people, but as a respected chief, he felt he had no choice but to lead them in the fight. He survived the war and escaped to the west. The following year, he returned to Minnesota with his son, was recognized, and murdered.

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New Book by M.K. Tod

It’s publication day for my friend Mary Tod! Her third historical novel Time and Regret is available today.

When Grace Hansen finds a box belonging to her beloved grandfather, she has no idea it holds the key to his past—and to long buried secrets. In the box are his World War I diaries and a cryptic note addressed to her. Determine to solve her grandfather’s puzzle, Grace follows his diary entries across towns and battle sites in northern France, where she becomes increasingly drawn to a charming French man—and suddenly aware that someone is following her.

 From her grandfather’s vivid writing and Grace’s own travels, a picture emerges of a many very unlike the one who raised her: one who watched countless friends and loved ones die horrifically in battle; one who lived a life of regret. But her grandfather wasn’t the only one harbouring secrets, and the more Grace learns about her family, the less she thinks she can trust them.

About M.K. Tod: Time and Regret is M.K. Tod’s third novel. She began writing while living as an expat in Hong Kong. What started as an interest in her grandparents’ lives turned into a full-time occupation writing historical fiction. Her novel Unravelled was awarded Indie Editor’s Choice by the Historical Novel Society. In addition to writing historical novels, she blogs about reading and writing historical fiction at www.awriterofhistory.com.

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Praise for Time and Regret:

“With fluid prose and a keen eye for detail, M.K. Tod takes readers on a decades-spanning journey of wartime loss, family secrets, and, ultimately, redemption.”

— Holly Smith, Managing Editor, Washington Independent Review of Books

 

Spiced with mystery and a spark of romance, TIME AND REGRET is an immersive journey into one man’s brave but terrifying slog through the killing fields of France and Flanders during WWI. Tod’s prose brims with exquisite atmospheric detail, drawing the reader into an unforgettable story.

— Juliet Grey: author of the acclaimed Marie Antoinette trilogy

 

Time and Regret, equally captivating and suspenseful, presents well-drawn characters who strive to resolve past mysteries and overcome present obstacles. M.K. Tod is an impressively gifted storyteller who creates relatable conflicts and believable dangers. Highly recommended!

— Bestselling author Margaret Porter

 

“Hugely satisfying – impossible to put down.”

— Elizabeth St. John author of The Lady of the Tower

 

“Time and Regret is something as rare as a treasure hunt with heart. Between the gritty trenches of World War I, the romantic allure of present-day France, and the cut-throat New York arts scene, M.K. Tod has spun a gripping family drama that delves deeply into the effects of war on the human soul and takes us on an intriguing journey of self-discovery. It is a book rich in hard-won wisdom and crucial historical insights, and Tod’s perceptive voice leads us unfalteringly through some of the darkest chapters in human history to a very satisfying conclusion.” Anne Fortier author of The Lost Sisterhood

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A Tiny Candle in the Dark

All morning, I felt agitated by the news of the attacks in Paris and Beirut yesterday and found it hard to settle to any productive tasks. Then about noon, I reminded myself why I’m writing my current novel.

Like The Ambitious Madame Bonaparte, it’s another novel based on real events—the story of an oppressed people, starving and without hope, and how a minority faction rises up and turns to violence and terrorism. My main character is a woman from the dominant culture, taken captive and held hostage with her two young children for several weeks. While she is captive, she forms a bond with someone who acts as her protector. These two try to reach across the cultural divide and misunderstandings, but events race out of their control, and their efforts do not work out quite as they planned.

This story is so pertinent to the times in which we live. So this afternoon when I felt distracted by what’s happening, I reminded myself that one of the best ways I can help the world right now is to continue telling this tale of two courageous people who tried to bridge the chasm of hate.

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Cover Reveal for America’s First Daughter

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I was fortunate to meet the author Stephanie Dray at the Historical Novel Society convention in June, and today I am pleased to participate in the cover reveal for America’s First Daughter, which she wrote with Laura Kamoie.

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In a compelling, richly researched novel that draws from thousands of letters and original sources, bestselling authors Stephanie Dray and Laura Kamoie tell the fascinating, untold story of Thomas Jefferson’s eldest daughter, Martha “Patsy” Jefferson Randolph—a woman who kept the secrets of our most enigmatic founding father and shaped an American legacy.

From her earliest days, Martha “Patsy” Jefferson knows that though her father loves his family dearly, his devotion to his country runs deeper still. As Thomas Jefferson’s oldest daughter, she becomes his helpmate in the wake of her mother’s death, traveling with him when he becomes American minister to France. And it is in Paris, at the glittering court and among the first tumultuous days of revolution, that she learns of her father’s liaison with Sally Hemings, a slave girl her own age.

Patsy too has fallen in love—with her father’s protégé, William Short, a staunch abolitionist intent on a career in Europe. Heartbroken at having to decide between being William’s wife or a devoted daughter, she returns to Virginia with her father and marries a man of his choosing, raising eleven children of her own.

Yet as family secrets come to light during her father’s presidency, Patsy must again decide how much she will sacrifice to protect his reputation, in the process defining not just Jefferson’s political legacy, but that of the nation he founded.

About Stephanie
STEPHANIE DRAY is a bestselling and award-nominated author of historical women’s fiction. Her series about Cleopatra’s daughter has been translated into six different languages, was nominated for a RITA Award and won the Golden Leaf. As STEPHANIE DRAVEN, she is a national bestselling author of paranormal romance, contemporary romance, and American-set historical women’s fiction. She is a frequent panelist and presenter at national writing conventions and lives near the nation’s capital. Before she became a novelist, she was a lawyer, a game designer, and a teacher. Now she uses the stories of women in history to inspire the young women of today.

Stephanie’s Links:
Website; Facebook; Twitter; Goodreads

About Laura
LAURA KAMOIE has always been fascinated by the people, stories, and physical presence of the past, which led her to a lifetime of historical and archaeological study and training. She holds a doctoral degree in early American history from The College of William and Mary, published two non-fiction books on early America, and most recently held the position of Associate Professor of History at the U.S. Naval Academy before transitioning to a full-time career writing genre fiction as the  New York Times  bestselling author of over twenty books, Laura Kaye. Her debut historical novel,  America’s First Daughter , co-authored with Stephanie Dray, allowed her the exciting opportunity to combine her love of history with her passion for storytelling. Laura lives among the colonial charm of Annapolis, Maryland with her husband and two daughters.

Laura’s Links:
Website; Facebook; Twitter; Goodreads

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